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Colonial Class

Monday, March 15th, 2010

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Atul Kotchar is well known as the Michelin-starred chef-proprietor of Benares, which recently recovered, Phoenix-like, from a major fire in the kitchen. His latest venture (along with Taman Gang’s former proprietor Carlo Spetale) is the classy Marylebone restaurant Colony, which nods to Anglo-Indian cuisine and traditions in its setting, but also manages to offer something fresh and vibrant in its attitudes and approach, which owes as much to tapas as it does to sub-continent cooking.

Marylebone is hardly starved of excellent restaurants (Trishna, The Providores and L’Autre Pied are all roundabouts), but what Colony has to offer is a more relaxed, informal approach than many of the others roundabouts. The front room is a stylish-looking bar, which instantly gives the impression that this will be as fun a place to drop into for a couple of cocktails as a sit-down meal. It allows an opportunity to have some unusually daring bar snacks, such as barbecued lamb chops in yoghurt, fennel and black pepper and oysters three ways.

It should be noted, however, that the main meals here are nothing less than excellent. The deceptively short menu offers a range of tapas-sized sharer plates which are easily worthy of comparison with anything in Kotchar’s other establishment, whether it’s the tandoori monkfish with crab vermicelli, spiced tiger prawns in piri-piri sauce or even just the simple but hugely tasty naan breads. There’s also a ridiculously good value ‘thali’ menu at lunchtimes that even includes a drink and offers an overview of the entire menu.  The wine list is copious yet sensibly priced, or of course you could stick to the excellent cocktails.

Given the enthusiastic reception that this has received since its recent opening, there seems no doubt that Messrs Kotchar and Spetale are onto another winner.

7-9 Paddington St, London W1. www.colonybarandgrill.com


Private Lives

Thursday, March 11th, 2010

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Noel Coward’s 1930 comedy Private Lives is probably his best known and most popular play, a standby of repertory and amateur theatre. Part of this is the iconic plot, dealing with two glamorous divorcees, Amanda and Elyot, who accidentally re-encounter one another while on their honeymoons with their new partners. The precursor to so many subsequent romantic comedies that deal with a love/hate relationship, Coward’s play remains one of the very best because of the endlessly quotable dialogue (’Very flat, Norfolk.’ ‘Some women should be struck regularly, like gongs’) and carefully constructed plotting that never allows the relationship between the protagonists to descend into farce.

Of course, if done badly, the play ends up as knockabout, silly buffoonery, and so it needs a really strong production to keep it compelling. Thankfully, Richard Eyre’s new staging is as clever and restrained as it needs to be. He’s helped immensely by strong lead performances by Matthew MacFadyen, unusually stern and forthright as Elyot, and Kim Cattrall, leaving Sex And The City’s Samantha behind to adopt a near-flawless upper-crust 30s accent and mannerisms as the charming, sexy but no less headstrong Amanda. There’s also excellent support from Simon Paisley Day as the very model of a repressed prig in Amanda’s new husband, Victor, a man so formal that he uses grand pianos to press his trousers, and Lisa Dillon as the twittery (in the proper sense of the word) new bride for Elyot, Sybil.

If this doesn’t quite rise to the heights of delirious hilarity that some Coward productions manage, there’s no doubt that this is a literate, consistently inventive and amusing revival of a great play that manages to say some compelling and relevant things about the perennial battle between the sexes in a timely and witty way. And it boasts the best on-stage use of brioche you’re likely to see this year.

Until 1st May. Vaudeville Theatre, The Strand, WC2. www.nimaxtheatres.com


Park Delight

Tuesday, March 9th, 2010

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Although all establishments of a certain calibre boast the accoutrements one would expect of a luxury destination, it does take a certain something which cannot be bought to create the sense of peace found at Gidleigh Park. Built in 1928 and converted into a hotel in 1977, Gidleigh’s old world calm belies its relative youth.The sensitive recent restoration which marries the old manor house style and aesthetic with an underlying modern efficiency and excellence as regards heating, plumbing and electricity.

The two main reasons to come to Gidleigh are its Dartmoor setting and its Michelin starred cuisine. Set in 107 acres of lush green forest with a sweeping lawn and a river whose babble can be discerned from an open bedroom window, Gidleigh is within vigourous walking distance of local landmarks Kes Tour, Batworthy Corner and Scorhill Stone Circle. If you are not driving, be sure to pick up the number of a reliable taxi firm in advance, as public transport does not venture within practical distance of this secluded retreat – which is all part of the place’s considerable charm. Another distinguishing touch is the eminently practical presence of an elegant pantry offering tea, coffee, fruit and water, as well as champagne, fresh from Gidleigh’s own spring, offering guests an additional option beyond the 24 hour room service.

Many of Gidleigh’s guests are gastronomic pilgrims looking to sample the offerings of one of the finest restaurants in the country, and it’s hard to imagine they must leave in a state of anything other than total satisfaction. Head chef Michael Caines has justly held two Michelin stars since 1999 and has been at Gidleigh since 1994.  Particular highlights on the tasting menu included the poached Cornish Sea Bass, perfectly paired with a rich but crisp 2008 Gruner Veltliner from Frank Hirtzberger, Aixpont, and the Wild Dartmoor beef with a highly drinkable Douro 2007 Alves de Sousa, Caidas. We would also insist that you try this establishment’s British cheeses – who could refuse a slice of Little Wallop?

Accommodation ranges from well-appointed classic rooms to enormous spa suites and everything in between. The spa suite is spectacular – Lapis Lazuli marbling sets off the huge spa bath and fixtures – while the Loft Suite includes two single beds and a double, representing the ideal choice for a family. Gidleigh can be praised for its restaurant, accommodation, setting and that certain something which means that you leave feeling 100% renewed.

Gidleigh, nr Chagford, Devon. www.gidleigh.com


Holy Trinity

Monday, March 8th, 2010

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Dining in South London has (unfairly) often been categorised as somewhat lacking in comparison to the delights that can be found elsewhere. This ignores such perennial favourites as Wandsworth’s Chez Bruce and, increasingly, Adam Byatt’s Trinity, situated in the Old Town area of Clapham. Having won awards since its opening as varied as Time Out’s best local restaurant and the AA London Restaurant of the Year, there can be little doubt that Trinity has established itself as one of the city’s leading destinations. The fact that it’s full every night has to be testament to this success.

Byatt, who combines high technical ability with easy and personable charm (a combination more unusual than it might sound in a restaurateur) is rightly proud of the way in which his restaurant offers something for everyone, whether it’s a simple and straightforward prix fixe menu or a more elaborate five-course tasting menu, the latter of which showcases such delights as roast fillet of Cornish sea bass with clams and blood orange and a daringly innovative venison Wellington.

The staff do a sterling job of coping with a busy, buzzy dining room, managing to keep friendly and, above all, welcoming at all times, and recommending some breathtakingly bold and clever drink pairings, such as ‘pear champagne’ with English cheese. The number of couples having a romantic evening here is testament to the success of this splendid operation.

All Quintessentially members dining through April will receive a complimentary seasonal Bellini, as well as a chance to purchase a signed copy Adam’s first book, How To Eat In, at £18, which is being published on April 15th.

4 The Polygon, Clapham, SW3 www.trinityrestaurant.co.uk


Things That Go Bump In The Night…

Wednesday, March 3rd, 2010

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Andy Nyman and Jeremy Dyson are probably best known for their award-winning collaborations with Derren Brown and membership of the League of Gentlemen, respectively. They’re also both avowed aficionados of the classic English ghost story, which depends as much on atmosphere and pacing for its impact as it does for the inevitable reveals and shocks, and Ghost Stories, their first play together, seeks to capture the delicious power of being properly scared.

This Lyric Hammersmith production of their collaboration has been recommended for ages sixteen and over ‘due to extreme shock and tension’, and those of a nervous disposition are invited to stay away. If you’re brave enough to overcome your fears, then the first indication that things are going awry comes when you enter the theatre, which has mysterious numbers chalked on the walls and eerily flickering house lights. The play begins with a staid-seeming professor, Philip Goodman (as played by Nyman), who is delivering a lecture on the supernatural, which he illustrates with three stories of the paranormal that he has encountered in his career. Gradually, the connection between all three becomes chillingly clear.

Dyson and Nyman are fully aware of the potential for hokiness and camp in the material, and so the mixture of ‘boo!’ scares and, later on, genuinely disturbing revelations are balanced by a good number of laughs. Extremely well acted by a capable cast that also includes Nicholas ‘Nathan Barley’ Burns, this is a highly entertaining night out at the theatre that shows that it’s not just the cinema that has a monopoly on successfully creepy horror stories.

Until 3rd April. www.lyric.co.uk


Get Into The Kitchen

Tuesday, March 2nd, 2010

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11 Abingdon Road in Kensington has seen several restaurants come and go, but there can be little doubt that Kitchen W8 is here to stay. It’s the brainchild of Philip Howard, the genius behind the two Michelin-starred The Square, and Rebecca Mascarenhas, who set up perennial neighbourhood favourite Sonny’s in Barnes. The Square connection continues with the appointment of Mark Kempson as Head Chef, a former alumnus of Howard’s restaurant.

Opening to a blaze of publicity and acclaim last year, the restaurant has quickly established itself both as a successful neighbourhood institution and a destination venue in its own right. It isn’t at all hard to see why. The menu offers superb cooking – a starter of delicate, buttery crab ravioli was a highlight, as was a main course of red bream with chorizo – which is sensibly and unpretentiously presented and priced, meaning that visitors will be able to enjoy Michelin-quality cuisine at a fraction of the price that they might be paying in the West End.

The wine list offers lots of sensibly priced wines by the glass and small 250ml carafe – the latter’s a particularly good way of trying a couple of different kinds over the course of a meal without going overboard. The service is, as you’d expect in an operation of this calibre, both classy and friendly, without the overbearing quality that some restaurants can have. This excellent place deserves to prosper and succeed, and there’s no doubt it’s doing everything right.

11 Abingdon Road, W8. www.kitchenw8.com